New Media in Art: 116-134 Response
Art is the total event. As the definition and parameters for what constituted art evolved through artistic movements like those of Fluxus and Futurists, artists began to measure the artistic value of their work in terms of the totality of its noise, subject, process, and psychology. Especially regarding multimedia art, the physical and literally-observable characteristics of an art piece (or installation in this case) were not as important as the ideas behind the art. This, along with the prevalence of viewer participation and unconventional presentation practices in early video installation art, solidified the idea of art being an event that has a context in its surroundings. This section of the book really inspires me to experiment with the way in which I present my work to the world. Up until now, the only way my work has been shown is through the means of a frame hanging on the wall or on a projector for critique. Inversely, artists like Julia Sche...
I like option two. It leaves room for a visual in between and the slogan runs together. It almost convince me of becoming a part of this organization/group without me knowing anything else about it. This totally looks like propaganda.
ReplyDeleteThe second one is good because its reliance on peer-pressure allows it to work even without context. I feel like the first option would need an image to be associated with it for it to be successful in a propaganda poster. The third one relies on ethos and that just doesn't work too well for me.
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